Annabel is a successful businesswoman with a wealthy husband. At a reception in her villa she meets a woman, a member of the catering staff who has been hired for the evening. This woman is none other than her own daughter Chiara, whom she had left over thirty years ago. Chiara was just eight years old at the time. She now approaches her mother with an unusual request: to spend ten days together with her.
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Based on true events, The Wannabe, a story about Thomas, a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and longtime mob groupie, Rose, by brazenly robbing the local Mafia hangouts.
Inspired by True Events An abused wife and mother to a young boy escapes her violent husband and heads for California with her son. She soon learns that her husband has accused her of kidnapping and the law is in hot pursuit. Now a fugitive, she must risk her life and freedom to protect them both from this predator of a man.
There is instant chemistry between Alice (Gillian Anderson), a businesswoman, and Adam (Danny Dyer), a younger working-class man who installs a security system in her London apartment. She takes him to a party in the country, and they end up making love. But the night turns horrific when they encounter three thugs who maim Adam and rape Alice. The incident turns them into fearful recluses until Alice spots the leader of their attackers (Anthony Calf) — and the two victims plot a brutal revenge.
After his release from prison, notorious ex-con and moonshine distiller Gator McKlusky moves in with his father in a cabin in the Okefenokee Swamp. His bootlegging plans are cut short, however, when a federal agent tells McKlusky that he will lose custody of his 9-year-old daughter unless he helps bring down local crime lord Bama McCall. McKlusky enlists the help of reporter Aggie Maybank and a few local eccentrics to bring down McCall’s empire.
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
A group of old friends gets together for a weekend in a mountain cabin. Years have gone by and yet nothing seems to have changed between them. But lurking behind the laughter and stories is a murky episode from the past that continues to haunt them. A strange, sudden incident alters their plans, leaving them stranded and with no line of communication to the outside world. On their way for help, the group starts to disintegrate, just as a new natural order is unveiled before their astonished eyes.
A young soldier faces profound disillusionment in the soul-destroying horror of World War I. Together with several other young German soldiers, he experiences the horrors of war, such evil of which he had not conceived of when signing up to fight. They eventually become sad, tormented, and confused of their purpose.
Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.